https://www.sophieannemullen.com/home-page daily 1.0 2024-06-30 https://www.sophieannemullen.com/get-in-touch daily 0.75 2024-06-30 https://www.sophieannemullen.com/mycv daily 0.75 2024-06-30 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4ba8a0cf-4025-4c50-af99-a4dccc80140d/tempImagerxGibE.jpg https://www.sophieannemullen.com/papers-1 daily 0.75 2024-06-30 https://www.sophieannemullen.com/papers-1/mounakarray monthly 0.5 2021-11-18 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/8e368341-b31b-48d1-9f07-2ec49718dc7b/Tyburn_Gallery-Mouna-Karray-Nobody-will-talk-about-us-2016-0037.jpg Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E - Make it stand out Figure 3: 33°54’17.9”N 8°06’34.5”E, I, Mouna Karray, 2015, inkjet print on Hahnemühle paper, 33 x 50 cm. Source: Tyburn Gallery. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/112fbf92-3c88-4507-a934-b40c7194e168/Tyburn_Gallery-Nobody-Will-Talk-About-Us-2016-Mouna-Karray-2012-2015-0007.jpg Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E - Make it stand out Figure 1: Photo of series 33°54’17.9 “N 8°06’34.5 “E from the exhibition ‘Nobody Will Talk About Us’ by Mouna Karray. Source: Arsty. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/03e67e2a-820b-4596-8303-408602378d95/Tyburn_Gallery-Mouna-Karray-Noir-2-2013-0002.jpg Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E - Make it stand out Figure 2: Noir #1, Mouna Karray, 2013, lightjet photographic print, 126.5 x 126.5cm. Source: Tyburn Gallery. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/065a07cc-415c-4502-8577-5f05fe08087a/Screenshot+2021-11-18+at+15.42.23.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E - Make it stand out Figure 4: Screenshot of exact coordinates of 33°54’17.9 “N 8°06’34.5 “E, Source: Google Maps. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/46f8e917-c712-4c3e-8711-0c0d426f3236/Screenshot+2021-11-18+at+15.42.42.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E - Make it stand out Figure 5: Photographs of the exhibition in 2018. Source: Artsy. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/83035ab2-944f-435d-9ff1-9e62679795f2/Screenshot+2021-11-21+at+14.01.42.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/e8be5cad-2eea-47c3-b7d8-66d347b8dbc7/Screenshot+2021-11-21+at+14.01.53.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/11c60327-1b43-4048-91a3-9f8c62a07ffe/Screenshot+2021-11-21+at+14.02.04.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/07eb8855-3bfb-41b4-b84e-0b34f7d4b49e/Screenshot+2021-11-21+at+14.02.15.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/1531f65e-dede-4065-b913-1213f1d64785/Screenshot+2021-11-21+at+14.02.27.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/9177ab2f-9c60-498b-9b8c-65179c6ca3cb/Screenshot+2021-11-21+at+14.02.33.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/de514218-2993-48f6-b882-4910dc65f305/Screenshot+2021-11-21+at+14.02.40.png Papers - Mouna Karray’s photo set 33°54’17.9 “N 8°06’34.5 “E Mouna Karray, from the series 'Nobody Will Talk About Us,' 2015. All images courtesy of the artist and Tyburn Gallery, London. https://www.sophieannemullen.com/papers-1/laboratoire-agit-art monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/758efe24-0be4-4abe-a902-a5d5f767ccfb/Screenshot+2020-11-26+at+16.47.29.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery - Make it stand out Figure 2: Variation on SOS Culture by Laboratoire AGIT’Art which could also be known as ‘Mummification’. (Photograph: Polly Savage Lecture Slides) https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/b11173d3-50d1-4eeb-9f9e-e319382014e0/Screenshot+2020-12-02+at+15.16.30.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery - Make it stand out Figure 1: Samb and Sy as they perform SOS Culture. (Photograph: C. Deliss) https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/73d85b91-95e6-4669-bcaa-a5ea79173b49/Screenshot+2020-11-26+at+15.26.41.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Issa Samb https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/87f34b7b-7244-478d-8374-30dff38d510b/Screenshot+2020-12-02+at+15.16.36.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Hadji Sy: SOS Culture performance with Isaa Samb at the opening of Seven Stories about Modern Art in Africa, Whitechapel Gallery, London, September 1995. Photos: Clémentine Deliss. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/d6da1b64-c401-4895-8fc8-92fe41475a45/Screenshot+2020-12-02+at+15.16.25.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Hadji Sy: SOS Culture performance with Isaa Samb at the opening of Seven Stories about Modern Art in Africa, Whitechapel Gallery, London, September 1995. Photo: Clémentine Deliss. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/28be327d-fa68-4bbb-8594-b9110c27ad92/Screenshot+2020-12-02+at+15.16.41.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Hadji Sy: SOS Culture performance with Isaa Samb at the opening of Seven Stories about Modern Art in Africa, Whitechapel Gallery, London, September 1995. Photo: Clémentine Deliss. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/5611dadd-0363-43e0-a3f4-2316bd0574f1/Screenshot+2020-12-02+at+15.16.30.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Hadji Sy: SOS Culture performance with Isaa Samb at the opening of Seven Stories about Modern Art in Africa, Whitechapel Gallery, London, September 1995. Photo: Clémentine Deliss. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/cbaf415c-48f6-4a84-b236-b4989a25714b/Screenshot+2020-11-26+at+15.25.54.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Sy standing in front of stage design, 1990, From Clemetine Deliss' article but reproduced from the Weltkulturen Museum https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/2bb96878-a84e-4b63-9bc4-77c1b5aae6bb/Screenshot+2020-11-26+at+16.48.42.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Mummification, performance of the Laboratoire AGIT’ART, Dakar, 1989 Costumes: El Hadji Sy. Photo: El Hadji Sy. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/748f5be8-2612-414c-8338-4e1fa5cf0f0c/Screenshot+2020-11-26+at+16.47.29.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/ae329225-6c1f-472b-a7ba-a7fc798e13d5/Screenshot+2020-12-02+at+15.16.03.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Mummification, performance of the Laboratoire AGIT’ART, Dakar, 1989 Costumes: El Hadji Sy. Photo: El Hadji Sy https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/98132dcc-d513-4244-93a4-241372b9247d/Screenshot+2020-12-02+at+15.16.08.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Mummification, performance of the Laboratoire AGIT’ART, Dakar, 1989 Costumes: El Hadji Sy. Photo: El Hadji Sy. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/927b8186-b158-4146-a79c-4a7e0fb05d68/Screenshot+2021-11-21+at+13.47.51.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Courtyard of the Laboratoire AGIT’ART, Dakar, 1992. Photo: Clémentine Deliss https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/e9e202ff-2d34-46b2-8cff-3a6df5359d8c/Screenshot+2021-11-21+at+13.47.57.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery Courtyard of the Laboratoire AGIT’ART, Dakar, 1992. Photo: Clémentine Deliss https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4820f328-f9f1-448b-b699-22f8d13921df/Screenshot+2021-11-21+at+13.49.15.png Papers - Laboratoire AGIT’Art at the Whitechapel Gallery El Hadji Sy working on a painting for a performance of the Laboratoire AGIT’ART, Dakar, 1990. Photographer unknown https://www.sophieannemullen.com/papers-1/papaibratall-tapestries monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4b3d206b-8930-45de-8b4b-0cbeb2d9a378/Tallwonders-of-the-bush-senegal-artist-papa-ibra-tall.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall - Make it stand out Figure 2: Wonders of the Bush (1970s) [Source: Africanah.org] https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/70da4f99-9b74-487f-9550-a9d75a49f2d9/Israel_figure18_0.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall - Make it stand out Figure 3: Pilgrimage to Touba (1968) [Source: modernismmodernity.org.] https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/591612a2-8e34-4878-847c-d557db6ec2bc/90.jpeg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall - Make it stand out Figure 1: The Warrior (1966) [Source: Sotheby’s] https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/3cf394e4-1839-4a2c-89bc-405a413dce42/Screenshot+2021-11-20+at+20.59.59.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Detail from 'The Pilgrimage to Touba': ‘Manogokaka’ armlets that come from Hombori in Mali and worn by men from the Mossi tribe in Burkina Faso https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/a6ac162c-4384-40d0-bf4e-c67506a0a991/Screenshot+2021-11-20+at+20.59.54.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Detail from 'The Pilgrimage to Touba': Leather bag from Tuareg tribe https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/3908945a-dfc9-4675-a5ba-a3be9c97cebb/Screenshot+2021-11-20+at+21.00.05.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Detail from 'The Pilgrimage to Touba': Traditional hats worn by the Igbo people https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/532d350b-a90c-40ae-b83a-54c957b15e3f/Israel_figure18_0.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall The Pilgrimage to Touba https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/011e48af-3ab9-4d86-86ab-922ab6f9b9f7/90.jpeg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall The Warrior https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/2df7ee02-f804-4c79-8d3f-dd45f69843d0/papa-ibra-tall-vin-noir.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Vin Noir https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/cca62cfb-4f9b-4cd6-b1af-d5701e047cfd/Screenshot+2021-03-10+at+15.24.06.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/83792eb1-5e7f-46f8-a9f9-34d03389d29a/Tallwonders-of-the-bush-senegal-artist-papa-ibra-tall.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Wonders of the Bush https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/379f7d87-7658-43bf-a22f-0e774b765384/Screenshot+2021-03-10+at+15.43.40.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall Papa Ibra Tall in his studio https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4a7950b7-0767-4cbe-a7dc-6939f6c5da7b/tall_-_first_songTapestry1963.png Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall First Song (1963) https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/2194a425-0c39-4fe7-b225-03ec78f8dbc0/Tall3.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/7ff3d32c-1f07-4caa-aba7-6476481ca4a5/Piasa-Papa-Ibra-Tallbd.jpg Papers - Tokens, Ancestors, and the Importance of Community: Papa Ibra Tall La semeuse d’étoiles https://www.sophieannemullen.com/papers-1/imaydestroy-you monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/d2b2c9a6-6948-476f-a84b-adadc9e9aae2/Screenshot+2021-11-18+at+14.59.09.png Papers - The sociolinguistic experiences of the British-African diaspora in 'I May Destroy You' - Make it stand out Figure 2. Father speaks to Nicholas. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/c893416d-7b65-4246-903d-7019f27f33b3/0ff0316f55c435e80af1d02c01451e03e0-i-may-destroy-you.rsquare.w1200.jpg Papers - The sociolinguistic experiences of the British-African diaspora in 'I May Destroy You' - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/d9f54e58-6d03-41c6-a499-ff95195ac456/Screenshot+2021-11-18+at+14.58.36.png Papers - The sociolinguistic experiences of the British-African diaspora in 'I May Destroy You' - Make it stand out Figure 1. Terry calling Arabella’s mother. https://www.sophieannemullen.com/papers-1/the-nightingale monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/24c43aa2-41de-4393-8942-86e95707b78e/Screenshot+2021-11-18+at+14.45.10.png Papers - 'The Nightingale' and Voice of the Subaltern - Make it stand out Figure 2: Clare is sexualised by Hawkins while she sings. Source: IMDb. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/1636677387146-RT2XR8RPHU2RC60FIPWX/MV5BYzU5NzU0MTQtZDZiMS00YWY3LWFlMjAtN2FmZTEzMWY5ZjQ1XkEyXkFqcGdeQXVyNDAyMjk2NDI%40._V1_.jpg Papers - 'The Nightingale' and Voice of the Subaltern - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/78caaab1-d467-4fb5-81c9-4266cef82831/Screenshot+2021-11-18+at+14.45.20.png Papers - 'The Nightingale' and Voice of the Subaltern - Make it stand out Figure 3: Clare and Billy are on two separate journeys. Source: IMDb. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/ee3ac63a-f798-4cdb-b660-d292ae131214/Screenshot+2021-11-18+at+14.36.15.png Papers - 'The Nightingale' and Voice of the Subaltern - Make it stand out Figure 1: Uncle Charlie defies orders. Source: IMdb. https://www.sophieannemullen.com/papers-1/hwami-dance-of-many-hands monthly 0.5 2021-11-20 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/45bf66ac-5ca6-447c-97a8-69c3cd23df2a/TG-HWAMK-0024-072.jpg Papers - Orientating Black bodies on canvas: Kudzanai-Violet Hwami’s 'Dance of Many Hands' - Make it stand out Kudzanai-Violet Hwami (b. 1993, Zimbabwe), Dance of Many Hands, 2017, Oil and acrylic on canvas, 200 x 170 cm (Source: Artskop3437) https://www.sophieannemullen.com/papers-1/exhibitiion-labelsathedoor monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/5c7d971d-3db3-4b82-8482-d4f88bb557ab/FAKA_by_Nick_Widmer_1_1290_860_90.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/625db427-fdb8-4577-80de-ea15481808c2/download.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/19ab55c6-86d9-4e1e-8f04-b6f163fd850a/Buhlebezwe+Siwani%2C+Batsho+bancama%2C+photo+Peter+Cox.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/e345fc28-b517-4224-ab7d-583359a91889/120_001.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/939d0f34-6e41-4d6c-9232-e19f048364db/Marlene-Steyn_arching-type_2019_LR-1.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/c5c556d3-801e-4ad7-8025-77e8517f03c6/Screenshot+2021-11-20+at+19.19.22.png Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/3558d841-4204-4c86-97db-1b72c889b22d/Tony-Gum_Xhosa-Woman_Umfazi-682x1024.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/92726d55-39d7-4821-ad26-abd0c69deea1/Mary-Sibande-In-the-midst-of-chaos-there-is-opportunity-2017-001.jpg Papers - EXHIBITION: Leave Your Labels at the Door https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/6bbfc5d9-443d-41dd-9c28-b2ed8920ea76/Screenshot+2021-11-20+at+19.40.30.png Papers - EXHIBITION: Leave Your Labels at the Door - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.sophieannemullen.com/papers-1/exhibition-proposal-lagostoaccra monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/17909580-6789-4506-aefa-5ef294e3a403/Screenshot+2020-11-27+at+13.09.40.png Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/16ced2c3-b6fd-4452-a5ce-b60d75752d71/Mr-Eazi-for-Gaffer_23New.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/825145bc-6a87-405c-b73e-7244ee5fcee3/2017_02_16_JamesCohan_009ppl-1024x683.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/47f78915-f4a7-40da-9097-e45b0906152e/unnamed-2.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/81a94ac8-7890-456c-b12d-d8fa8e2ba3ba/_115339055_ghana-1.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/22ad0244-9adf-4335-a543-719e6a0f69ef/_115323565_ghanamustgo13.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/7264c60d-4347-4e00-a373-e2475f58a96f/_115342545_ghanamustgo20.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/13b116f7-676d-4804-90de-04a87e764833/_115342547_fce0683f-3721-4994-8b62-c8c8510948e3-1.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/96a7bdb4-9bdb-445c-9271-a0b62119509c/_115342548_ghanamustgo4.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/41a4146a-6831-438e-9e14-906196e31c76/_115342549_ghanamustgo17.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/c7fa45b3-8c97-4a81-8d4d-77d57bccd27b/_115342551_072ec7d4-5985-454c-9ec4-af0f1c25fe64.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/8af30d8f-4482-4ad7-bf55-9e5293f6c4a9/_115342552_3e0d4680-f6a0-436b-8999-92dc9ba04c78.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/8e79b36b-5efc-48c4-988b-066b8bd86cb2/_115342553_de5c5108-3ba8-4e00-8ca4-1d92805739ef.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/7d409704-5d7f-4cf8-8d9a-ef718993f7f5/_115342708_7cb94156-1a6f-4b8d-bbfc-c995aab5405d.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/258bcaaa-3c56-421b-8a60-ca594616b83e/_115342709_85319dee-edec-42a1-abb9-758c4b00645a.jpg Papers - Exhibition Proposal - Perspectives on Identity: From Lagos through Accra, to the World and Back https://www.sophieannemullen.com/papers-1/el-anatsuis-bleeding-takari-ii monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/644dd683-fca5-40db-8e33-9ab4f8345f75/1.13+sculpting+2.jpg Papers - Locally made yet globally encompassing: El Anatsui’s Bleeding Takari II - Make it stand out Fig. 4: The sculpting of Anatsui’s Lines That Link Humanity (2008) at the North Carolina Museum of Art. Source: PACINN. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4297815b-73d1-41c2-95d2-0f2534e4edb8/Screenshot+2021-11-21+at+14.13.08.png Papers - Locally made yet globally encompassing: El Anatsui’s Bleeding Takari II - Make it stand out Fig. 3: Screengrabs from ‘El Anatsui Studio’ (Left: 00:05:45 and Right: 00:10:32). Source: Ayo Adequnmi. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/1637437816516-6C2JUCNFS6URZ5863SGT/cri_000000242023.jpeg Papers - Locally made yet globally encompassing: El Anatsui’s Bleeding Takari II - Make it stand out El Anatsui, Bleeding Takari II, Liquor bottle tops and copper wire, 376 × 557 × 78 cm, 2007. Gift of Donald L. Bryant, Jr. and Jerry Speyer, 201.2008. © The Museum of Modern Art, New York. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/075b1f35-a403-4b66-a571-0034fefd040e/Screenshot+2021-11-21+at+14.12.52.png Papers - Locally made yet globally encompassing: El Anatsui’s Bleeding Takari II - Make it stand out Figure 1: Close up of a Blood Stain and Kente Cloth detail in Bleeding Takari II. Source: MOMA https://www.sophieannemullen.com/papers-1/project-diaspora-diop monthly 0.5 2021-11-22 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/b7a4c45a-0a27-46b4-9f5f-904415f99ad1/Screenshot+2021-11-21+at+14.40.50.png Papers - Reimagining Portraits from the Global Archive: Omar Victor Diop’s 'Project Diaspora' - Make it stand out (Left to Right: Dom Nicolau (Circa. 1830-1860), Omar Ibn Saïd (1770-1864) and Albert Badin (1747 or 1750-1822). Source: Omar Victor Diop) https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/9bafb2e0-94e3-4fd3-bca3-44f89611f47b/7da026_c3ca2039aef247d48e0243b09ba91b54.jpg Papers - Reimagining Portraits from the Global Archive: Omar Victor Diop’s 'Project Diaspora' - Make it stand out Figure 4: Albert Badin (1747 or 1750 - 1822). Source: Omar Victor Diop. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/4db64ac8-3335-4d4d-a5cf-eb517b1a6b46/7da026_02b9a253dd65442ba760c6dfef839933.jpg Papers - Reimagining Portraits from the Global Archive: Omar Victor Diop’s 'Project Diaspora' - Make it stand out Figure 3: Omar Ibn Saïd (1770-1864). Source: Omar Victor Diop. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/510ce383-0d1d-403b-bd91-479960e70e88/7da026_940b737e43764705bf850b3bab0badb9.jpg Papers - Reimagining Portraits from the Global Archive: Omar Victor Diop’s 'Project Diaspora' - Make it stand out Figure 1: Dom Nicolau (Circa. 1830-1860). Source: Omar Victor Diop. https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/ad142732-8773-45e9-a3f2-050361fa8144/Screenshot+2021-11-21+at+14.34.34.png Papers - Reimagining Portraits from the Global Archive: Omar Victor Diop’s 'Project Diaspora' - Make it stand out Figure 2: Installation view at SCAD Museum of Fashion and Film. Source: SCAD. https://www.sophieannemullen.com/papers-1/ma-thesis monthly 0.5 2022-05-19 https://images.squarespace-cdn.com/content/v1/60212a9f7a4e4c01fd9baf7a/7dc48093-f4d2-40cf-8159-f180fe503906/IMG_7337.JPG Papers - Read my MA Thesis: Unpacking Displaced Voices of Migration in the Works of Two South African Artist Unpacking Displaced Voices of Migration: Personified Significations of the Ubiquitous Plaid Carry Bag in the Works of Two South African Artists As a subject of art-historical analysis, the ubiquitous, plaid, mesh bag reveals intricate narratives of forced migration inherent in its very conception. This thesis concerns the reconfigurations of the bag as a symbol of migration in works of South African artists Nobkuho Nqaba, and Dan Halter. Using the framework of the 'sign formula' as conceived by linguist Ferdinand de Saussure, and Irit Rogoff's reconstruction of the sign system attached to the concept of ‘luggage’, this thesis will find that the bag exists within a paradox of signifying displacement and home simultaneously. The renderings of new meanings that emerge from the artistic portrayals of the bag will further emphasise our inter-cultural reality, which refers to not a geolocational space but rather the holistic, interconnected sensation we experience due to the continuing globalisation of our interactions. Nqaba and Halter's works supply spaces that cultivate conversations regarding the challenges faced by the migrant community. Deconstructing certain pieces from their respective series will reveal their progressive approaches to provide wider understandings of how the bag is a source of valuable narratives, thus refining the avenues of art historical inquiries involving materials found in everyday life. Read my MA Thesis here. https://www.sophieannemullen.com/papers-1/ba-thesis monthly 0.5 2021-11-22